1 00:00:02,210 --> 00:00:08,209 [Music] 2 00:00:13,160 --> 00:00:10,070 I would say what's unique about the 3 00:00:15,079 --> 00:00:13,170 approach is that it's something more 4 00:00:16,519 --> 00:00:15,089 synergistic in the sense that when I'm 5 00:00:17,540 --> 00:00:16,529 building things are creating things I 6 00:00:19,069 --> 00:00:17,550 don't look at them and just from the 7 00:00:22,010 --> 00:00:19,079 viewpoint of a builder or an architect 8 00:00:25,339 --> 00:00:22,020 because what's interesting is they 9 00:00:26,780 --> 00:00:25,349 create you know these professions right 10 00:00:28,729 --> 00:00:26,790 you know where you're supposed to be an 11 00:00:30,319 --> 00:00:28,739 architect I'm a builder I'm a contractor 12 00:00:31,880 --> 00:00:30,329 I do the different things what I've been 13 00:00:33,680 --> 00:00:31,890 doing is kind of incorporating 14 00:00:35,029 --> 00:00:33,690 everything into it and what I didn't 15 00:00:36,319 --> 00:00:35,039 realize is I used some level of 16 00:00:37,610 --> 00:00:36,329 intuition which i think is what you're 17 00:00:39,170 --> 00:00:37,620 talking about 18 00:00:42,680 --> 00:00:39,180 you can put seventeen different names to 19 00:00:44,540 --> 00:00:42,690 it and that what happened is the 20 00:00:47,029 --> 00:00:44,550 buildings and things that we and I have 21 00:00:49,549 --> 00:00:47,039 been creating turned out to be 22 00:00:52,040 --> 00:00:49,559 attractive and people didn't understand 23 00:00:53,750 --> 00:00:52,050 why and I didn't understand why and so 24 00:00:55,790 --> 00:00:53,760 it took you know a lifetime in a journey 25 00:00:57,619 --> 00:00:55,800 to figure out what is it that's going 26 00:00:59,869 --> 00:00:57,629 into it so I kind of have it finally a 27 00:01:01,729 --> 00:00:59,879 better sense and then what's fascinating 28 00:01:03,860 --> 00:01:01,739 as you find out many other people been 29 00:01:05,560 --> 00:01:03,870 doing this for so many got thousands of 30 00:01:07,670 --> 00:01:05,570 years trying to figure it out as well 31 00:01:09,800 --> 00:01:07,680 but it's something that you know I did 32 00:01:11,780 --> 00:01:09,810 is I did it as being an eight just a way 33 00:01:14,090 --> 00:01:11,790 of doing things and then you start to 34 00:01:16,130 --> 00:01:14,100 discover later what it is and some 35 00:01:17,870 --> 00:01:16,140 things are formulaic some things are 36 00:01:20,750 --> 00:01:17,880 intuitive and what I found interesting 37 00:01:23,000 --> 00:01:20,760 is that it's not so formulaic it's not 38 00:01:25,160 --> 00:01:23,010 about intuition it's actually the the to 39 00:01:27,170 --> 00:01:25,170 combining and that's what makes those 40 00:01:29,450 --> 00:01:27,180 things special so I say that's probably 41 00:01:31,690 --> 00:01:29,460 what I do is take the formulas and build 42 00:01:34,760 --> 00:01:31,700 them with a little bit of intuition okay 43 00:01:36,260 --> 00:01:34,770 and what about some of these great 44 00:01:37,910 --> 00:01:36,270 mysteries from the past as far as 45 00:01:40,220 --> 00:01:37,920 buildings such as the pyramids and so on 46 00:01:44,060 --> 00:01:40,230 what does that tell us how does that 47 00:01:46,570 --> 00:01:44,070 inform today what you do you know it 48 00:01:49,460 --> 00:01:46,580 really kind of gives more of a 49 00:01:51,140 --> 00:01:49,470 confidence to what I'm doing so for 50 00:01:53,840 --> 00:01:51,150 example you know what I find fascinating 51 00:01:56,210 --> 00:01:53,850 about the pyramids two things one is 52 00:01:59,600 --> 00:01:56,220 that the actual blocks that they were 53 00:02:01,700 --> 00:01:59,610 using form this perfect what we call the 54 00:02:02,330 --> 00:02:01,710 golden mean or the golden ratio know if 55 00:02:05,570 --> 00:02:02,340 you heard of it 56 00:02:07,730 --> 00:02:05,580 nope okay you have all right 57 00:02:08,960 --> 00:02:07,740 Michael's a pyramid expert so I mean 58 00:02:11,119 --> 00:02:08,970 it's it's a whole deep conversation 59 00:02:12,320 --> 00:02:11,129 you'll be fact-checking what you we 60 00:02:14,509 --> 00:02:12,330 should we should actually talk more 61 00:02:16,070 --> 00:02:14,519 about this but I mean so that and then 62 00:02:17,750 --> 00:02:16,080 what's also fascinating which kind of 63 00:02:19,670 --> 00:02:17,760 goes into everything is the placement of 64 00:02:22,080 --> 00:02:19,680 them you know what I find really 65 00:02:24,360 --> 00:02:22,090 interesting is back in the day 66 00:02:25,620 --> 00:02:24,370 you know back many many many days beaten 67 00:02:28,470 --> 00:02:25,630 before Christ because that's how 68 00:02:30,540 --> 00:02:28,480 everything's dated now there is a search 69 00:02:32,640 --> 00:02:30,550 for this kind of energy or this 70 00:02:34,949 --> 00:02:32,650 invisible energy you know like the 71 00:02:36,900 --> 00:02:34,959 Chinese call it Chi right you know and 72 00:02:38,910 --> 00:02:36,910 why they call it Reiki you know George 73 00:02:41,220 --> 00:02:38,920 Lucas called it the force you know 74 00:02:43,320 --> 00:02:41,230 everybody has a name for it you know in 75 00:02:46,229 --> 00:02:43,330 Western Hemisphere we call it energy and 76 00:02:48,570 --> 00:02:46,239 it wasn't really known what that was and 77 00:02:50,040 --> 00:02:48,580 so what the Egyptians were doing is is 78 00:02:51,900 --> 00:02:50,050 what's interesting is if you actually 79 00:02:53,280 --> 00:02:51,910 like in Gaza if you look and you start 80 00:02:55,410 --> 00:02:53,290 figuring it out everything actually 81 00:02:57,809 --> 00:02:55,420 started to fit onto a grid onto the 82 00:02:59,610 --> 00:02:57,819 earth before they knew what it was and 83 00:03:01,830 --> 00:02:59,620 what I find fascinating about that is 84 00:03:03,270 --> 00:03:01,840 that they didn't have tools back then 85 00:03:04,830 --> 00:03:03,280 you know I was like back in the days of 86 00:03:07,110 --> 00:03:04,840 Galileo and they're trying to look up at 87 00:03:10,650 --> 00:03:07,120 the stars and figure out what's going on 88 00:03:13,229 --> 00:03:10,660 but they with such accuracy we're able 89 00:03:15,300 --> 00:03:13,239 to place these pyramids and they used 90 00:03:17,130 --> 00:03:15,310 these proportions as well so you have 91 00:03:18,660 --> 00:03:17,140 the two things which those two things to 92 00:03:20,820 --> 00:03:18,670 mirror the most important which talking 93 00:03:22,770 --> 00:03:20,830 about proportions and ratios which is 94 00:03:24,809 --> 00:03:22,780 something we put into it and then also 95 00:03:27,509 --> 00:03:24,819 the location and the grid on the earth 96 00:03:31,020 --> 00:03:27,519 and one thing that I found out that was 97 00:03:32,849 --> 00:03:31,030 interesting is you know the Chinese when 98 00:03:35,789 --> 00:03:32,859 they were doing function we they were 99 00:03:38,789 --> 00:03:35,799 looking for this invisible grid on the 100 00:03:40,440 --> 00:03:38,799 earth right and it pertained to 101 00:03:41,849 --> 00:03:40,450 astronomy too though correct correct 102 00:03:43,050 --> 00:03:41,859 yeah yeah I mean that's how they were 103 00:03:44,520 --> 00:03:43,060 trying to they would look up at the 104 00:03:46,229 --> 00:03:44,530 stars and trying to follow it and they 105 00:03:47,430 --> 00:03:46,239 had these little you know charts and 106 00:03:49,289 --> 00:03:47,440 they were doing them for thousands of 107 00:03:50,819 --> 00:03:49,299 years back and it really that actually 108 00:03:52,770 --> 00:03:50,829 came back more from when they were 109 00:03:54,750 --> 00:03:52,780 trying to locate graves and homes 110 00:03:56,629 --> 00:03:54,760 because they wanted to make sure that 111 00:03:59,819 --> 00:03:56,639 this energy was moving through them and 112 00:04:03,300 --> 00:03:59,829 what I found was interesting was they 113 00:04:07,289 --> 00:04:03,310 they came up with this thing the compass 114 00:04:10,259 --> 00:04:07,299 and so this one actually says Made in 115 00:04:11,370 --> 00:04:10,269 China so well everything today's yeah 116 00:04:12,990 --> 00:04:11,380 but I just thought it was so fascinating 117 00:04:14,729 --> 00:04:13,000 that the Chinese are the ones that 118 00:04:17,610 --> 00:04:14,739 actually came up with north south east 119 00:04:19,319 --> 00:04:17,620 and west and you know because back then 120 00:04:21,000 --> 00:04:19,329 they said there's is this invented 121 00:04:23,550 --> 00:04:21,010 visible energy grid that's on the earth 122 00:04:25,140 --> 00:04:23,560 so when you realize that as you now have 123 00:04:27,510 --> 00:04:25,150 a better understanding that you can plot 124 00:04:28,860 --> 00:04:27,520 out you know not only here's what's 125 00:04:32,010 --> 00:04:28,870 interesting not only can you plot out 126 00:04:34,110 --> 00:04:32,020 like the pyramids in Gaza they actually 127 00:04:35,820 --> 00:04:34,120 if you follow it the shape actually 128 00:04:37,680 --> 00:04:35,830 follows like the shape of the proportion 129 00:04:40,110 --> 00:04:37,690 the nautilus shell I mean everything 130 00:04:42,450 --> 00:04:40,120 starts to snap together it's it's 131 00:04:44,310 --> 00:04:42,460 interesting because it's also I think it 132 00:04:45,720 --> 00:04:44,320 has to do more with what we like them 133 00:04:47,160 --> 00:04:45,730 what we don't like because we've been 134 00:04:48,960 --> 00:04:47,170 building for thousands of years right 135 00:04:51,090 --> 00:04:48,970 and so what's interesting is the things 136 00:04:53,130 --> 00:04:51,100 that are still there are the things that 137 00:04:55,440 --> 00:04:53,140 we like and so everything kind of fits 138 00:04:58,860 --> 00:04:55,450 to that and if you start to understand 139 00:05:00,990 --> 00:04:58,870 what those two things are you can 140 00:05:02,520 --> 00:05:01,000 actually put them into your projects you 141 00:05:03,840 --> 00:05:02,530 can put them into your home you can put 142 00:05:05,190 --> 00:05:03,850 them into a product you can put it into 143 00:05:06,330 --> 00:05:05,200 your shoe you can put it into your car 144 00:05:08,700 --> 00:05:06,340 you can put it everywhere it's like a 145 00:05:11,460 --> 00:05:08,710 it's a you believe was pleasing to 146 00:05:16,380 --> 00:05:11,470 humans has stayed the same during all 147 00:05:18,990 --> 00:05:16,390 this time I mean I think that we filter 148 00:05:20,190 --> 00:05:19,000 it out yes the answer is yes by the way 149 00:05:23,070 --> 00:05:20,200 I heard you were an attorney right so 150 00:05:25,740 --> 00:05:23,080 yes so I'm assuming this is not retired 151 00:05:27,510 --> 00:05:25,750 okay I'm assuming I have attorney-client 152 00:05:29,310 --> 00:05:27,520 privilege here so this isn't being 153 00:05:31,170 --> 00:05:29,320 recorded all right this is all private 154 00:05:33,090 --> 00:05:31,180 is it between you and me okay good all 155 00:05:34,380 --> 00:05:33,100 right but yes I think everything's you 156 00:05:37,410 --> 00:05:34,390 know we filter out the things we don't 157 00:05:39,060 --> 00:05:37,420 like you know we we absorb and we we 158 00:05:43,760 --> 00:05:39,070 cherish and celebrate the things that we 159 00:05:47,360 --> 00:05:43,770 do like one of my heroes is a 160 00:05:50,490 --> 00:05:47,370 mathematician called Fibonacci and 161 00:05:54,390 --> 00:05:50,500 genius and the fact that he was able to 162 00:05:57,660 --> 00:05:54,400 distill the formula that defines almost 163 00:05:58,860 --> 00:05:57,670 everything in life and easiest thing 164 00:06:01,110 --> 00:05:58,870 ever like you don't even have to be good 165 00:06:04,020 --> 00:06:01,120 at math to do this but the formula is 166 00:06:08,580 --> 00:06:04,030 the the final number is the sum of the 167 00:06:13,860 --> 00:06:08,590 prior two so it's one starts one plus 168 00:06:17,160 --> 00:06:13,870 one equals two excuse me 2 plus 1 3 3 169 00:06:18,540 --> 00:06:17,170 plus 2 5 5 plus 3 13 I mean you can 170 00:06:20,820 --> 00:06:18,550 continue the series going all the way 171 00:06:23,190 --> 00:06:20,830 through and what's fascinating about 172 00:06:27,180 --> 00:06:23,200 that is that is the formula in which 173 00:06:29,250 --> 00:06:27,190 life recreates and so a cell starts 174 00:06:31,260 --> 00:06:29,260 that's one two turn two three start five 175 00:06:33,810 --> 00:06:31,270 when a tree is growing it starts out as 176 00:06:37,650 --> 00:06:33,820 one it goes into three the three turn to 177 00:06:40,200 --> 00:06:37,660 five five go to eight rose-petal all the 178 00:06:41,430 --> 00:06:40,210 things in life that do this and so I'm a 179 00:06:43,230 --> 00:06:41,440 just thought it was genius that the guy 180 00:06:44,760 --> 00:06:43,240 actually figured out the entire formula 181 00:06:46,320 --> 00:06:44,770 life is just you know take these two 182 00:06:49,140 --> 00:06:46,330 numbers and just keep adding them click 183 00:06:49,740 --> 00:06:49,150 down the chain the nautilus shell the 184 00:06:51,870 --> 00:06:49,750 way it grows 185 00:06:54,330 --> 00:06:51,880 as proportion you know da Vinci had it 186 00:06:57,180 --> 00:06:54,340 and if you take that and you take those 187 00:06:59,100 --> 00:06:57,190 ratios you can actually those are the 188 00:07:00,600 --> 00:06:59,110 same ratios as the pyramid that's the 189 00:07:03,240 --> 00:07:00,610 same ratio as that thing there Gaza 190 00:07:05,580 --> 00:07:03,250 Falls that's the same ratio as the the 191 00:07:08,040 --> 00:07:05,590 blocks and the Coliseum now what is the 192 00:07:10,830 --> 00:07:08,050 ratio of the pyramid the golden mean 193 00:07:11,880 --> 00:07:10,840 which is like 1/2 like 1.6 and I you 194 00:07:14,160 --> 00:07:11,890 know keeps going on with this 195 00:07:16,620 --> 00:07:14,170 infinitesimal thing but as far as the 196 00:07:19,260 --> 00:07:16,630 blocks that go in there so the ratio of 197 00:07:21,750 --> 00:07:19,270 the of the dimension of the blocks of 198 00:07:23,040 --> 00:07:21,760 the blocks yeah and so here's what I 199 00:07:26,250 --> 00:07:23,050 find fascinating and I think why it 200 00:07:29,610 --> 00:07:26,260 works is is it's also the ratio of the 201 00:07:31,980 --> 00:07:29,620 human body so that same proportion that 202 00:07:34,140 --> 00:07:31,990 you know we're talking about is also a 203 00:07:36,540 --> 00:07:34,150 proportion of the thorax it's the 204 00:07:38,550 --> 00:07:36,550 proportion of the perfect head is the 205 00:07:41,580 --> 00:07:38,560 proportion from the eyes to the mouth 206 00:07:43,740 --> 00:07:41,590 and so it's actually be clear that 207 00:07:45,750 --> 00:07:43,750 proportion is just so I can go home and 208 00:07:49,860 --> 00:07:45,760 measure mine hey you're gonna go it's 209 00:07:51,980 --> 00:07:49,870 one to one point six six six no it's 210 00:07:55,140 --> 00:07:51,990 that's a double no it's one six three 211 00:07:58,590 --> 00:07:55,150 it's like one six three said oh yeah I 212 00:08:01,380 --> 00:07:58,600 think that's one to one yeah one ratio 213 00:08:04,080 --> 00:08:01,390 down to one point six three seven I 214 00:08:07,409 --> 00:08:04,090 think don't how do you how do you get 215 00:08:09,120 --> 00:08:07,419 into that number I'm a little bit lost 216 00:08:13,170 --> 00:08:09,130 on how how we get got to the number of 217 00:08:14,610 --> 00:08:13,180 one to one point six three seven so how 218 00:08:16,460 --> 00:08:14,620 you get to that number is if you take 219 00:08:19,680 --> 00:08:16,470 this spiral and you could keep 220 00:08:22,380 --> 00:08:19,690 continuing that transgression of that 221 00:08:24,360 --> 00:08:22,390 formula and you were actually to kind of 222 00:08:26,580 --> 00:08:24,370 outline it that's the shape that it 223 00:08:28,500 --> 00:08:26,590 creates okay and so if you were actually 224 00:08:31,530 --> 00:08:28,510 to divide it you know you get one to one 225 00:08:40,399 --> 00:08:31,540 point six and what's the real number you 226 00:08:43,800 --> 00:08:40,409 got it there the Fibonacci sequence 227 00:08:45,630 --> 00:08:43,810 exactly that's not Jesus spiral yeah an 228 00:08:47,790 --> 00:08:45,640 approximation of the golden spiral 229 00:08:49,620 --> 00:08:47,800 created by drawing circular arcs 230 00:08:53,670 --> 00:08:49,630 connecting the opposite corners of 231 00:08:58,710 --> 00:08:53,680 squares in the Fibonacci tiling this one 232 00:09:02,460 --> 00:08:58,720 uses the squares of sizes 1 1 2 3 5 8 13 233 00:09:03,330 --> 00:09:02,470 and 21 yeah and it continues on and so 234 00:09:04,830 --> 00:09:03,340 here's 235 00:09:08,040 --> 00:09:04,840 where it becomes interesting to me as a 236 00:09:11,910 --> 00:09:08,050 builder you know as a artist as a 237 00:09:13,740 --> 00:09:11,920 creator of the structure isn't that 238 00:09:15,870 --> 00:09:13,750 people like the shakers actually 239 00:09:18,450 --> 00:09:15,880 understood this and so you take those 240 00:09:20,070 --> 00:09:18,460 ratios right and you they took they 241 00:09:21,420 --> 00:09:20,080 ignored the one they started making the 242 00:09:23,490 --> 00:09:21,430 first or three inches 243 00:09:25,740 --> 00:09:23,500 they made the next drawer five inches 244 00:09:28,980 --> 00:09:25,750 the next drawer is eight inches and then 245 00:09:30,990 --> 00:09:28,990 they go down to 13 inches and so the 246 00:09:32,700 --> 00:09:31,000 shaker that shaker chests became a 247 00:09:34,590 --> 00:09:32,710 classic and nobody really understands 248 00:09:39,240 --> 00:09:34,600 why and I think what's fascinating about 249 00:09:41,520 --> 00:09:39,250 it is somewhere within that reasoning 250 00:09:43,980 --> 00:09:41,530 and why you like it it actually relates 251 00:09:46,140 --> 00:09:43,990 back to the exactly how our body was 252 00:09:48,720 --> 00:09:46,150 created those ratios and those 253 00:09:51,900 --> 00:09:48,730 proportions are so simplistic and when 254 00:09:54,960 --> 00:09:51,910 you see it on some level it resonates 255 00:09:58,200 --> 00:09:54,970 with us and it it's somehow it's it's 256 00:10:01,290 --> 00:09:58,210 connects us I think to the to that piece 257 00:10:04,350 --> 00:10:01,300 through the ratios so and is this taught 258 00:10:05,580 --> 00:10:04,360 to all architects no I mean I don't know 259 00:10:06,780 --> 00:10:05,590 I I can't say it's taught to all 260 00:10:08,340 --> 00:10:06,790 architects I think that's pretty broad I 261 00:10:09,900 --> 00:10:08,350 don't know but cuz you you you don't 262 00:10:13,260 --> 00:10:09,910 have a degree in architecture direct 263 00:10:15,390 --> 00:10:13,270 okay I do not and I just piss piphus did 264 00:10:17,490 --> 00:10:15,400 not want one so cuz I've actually wanted 265 00:10:19,440 --> 00:10:17,500 to go on a on a journey and learn about 266 00:10:21,900 --> 00:10:19,450 these things because and i what i 267 00:10:23,700 --> 00:10:21,910 realized which was i was for years 268 00:10:26,370 --> 00:10:23,710 making these kind of proportions and 269 00:10:29,190 --> 00:10:26,380 these ratios and that was on the little 270 00:10:30,750 --> 00:10:29,200 bigger a little smaller okay that feels 271 00:10:32,990 --> 00:10:30,760 good and you never really knew what it 272 00:10:35,160 --> 00:10:33,000 was right here just like it was no 273 00:10:37,860 --> 00:10:35,170 understanding what about hanging a piece 274 00:10:41,220 --> 00:10:37,870 of art does this apply to that because 275 00:10:43,140 --> 00:10:41,230 you know and I'm not an architect and 276 00:10:44,730 --> 00:10:43,150 I'm not known for being particularly 277 00:10:46,250 --> 00:10:44,740 creative however I do have to say I 278 00:10:48,600 --> 00:10:46,260 think I have a pretty good feel for 279 00:10:50,520 --> 00:10:48,610 where to hang a piece right in the wall 280 00:10:52,170 --> 00:10:50,530 but I'm not measuring anything right 281 00:10:54,750 --> 00:10:52,180 where your gut tells you right right 282 00:10:56,880 --> 00:10:54,760 most people end up agreeing with me that 283 00:10:59,190 --> 00:10:56,890 yeah Jim you hung it in the right spot 284 00:11:01,110 --> 00:10:59,200 whereas I do note that there's some 285 00:11:02,970 --> 00:11:01,120 other people that don't seem to hang 286 00:11:05,220 --> 00:11:02,980 things in the right spot right right so 287 00:11:06,960 --> 00:11:05,230 what would you call that I mean I call 288 00:11:09,210 --> 00:11:06,970 it's two things I mean one there is a 289 00:11:10,560 --> 00:11:09,220 general rule that I mean as if you're a 290 00:11:12,000 --> 00:11:10,570 designer and this is not talking about 291 00:11:14,430 --> 00:11:12,010 you're talking about is usually you do 292 00:11:15,810 --> 00:11:14,440 five feet for center and you're the idea 293 00:11:16,770 --> 00:11:15,820 for art is that your eyes want to kind 294 00:11:19,260 --> 00:11:16,780 of walk up to the middle of 295 00:11:20,610 --> 00:11:19,270 so that's a formulaic approach next 296 00:11:22,890 --> 00:11:20,620 level is what you're talking about is 297 00:11:24,510 --> 00:11:22,900 that gut approach because all piece of 298 00:11:26,070 --> 00:11:24,520 art is different you know and it's just 299 00:11:29,130 --> 00:11:26,080 that I mean you sound like you've had it 300 00:11:30,600 --> 00:11:29,140 it's just like no no ah okay that feels 301 00:11:32,940 --> 00:11:30,610 right I don't know what it is exactly 302 00:11:35,460 --> 00:11:32,950 it's there and but not everybody's gut 303 00:11:37,140 --> 00:11:35,470 is the same right regarde yeah and but I 304 00:11:39,150 --> 00:11:37,150 do think there's a right and a wrong but 305 00:11:40,950 --> 00:11:39,160 but but when you hit there's a certain 306 00:11:42,720 --> 00:11:40,960 thing though like from when you hit the 307 00:11:44,520 --> 00:11:42,730 right spot like either a baby can like 308 00:11:46,460 --> 00:11:44,530 it or your grandma can like it very no 309 00:11:48,870 --> 00:11:46,470 and it's someone you hit that sweet spot 310 00:11:51,030 --> 00:11:48,880 if you don't hit it there's like you got 311 00:11:52,650 --> 00:11:51,040 maybe 30% of your audience is excited 312 00:11:54,510 --> 00:11:52,660 but you hit it you're like oh my god I 313 00:11:58,350 --> 00:11:54,520 don't that don't write that down does 314 00:12:00,360 --> 00:11:58,360 Fibonacci play into this I mean it does 315 00:12:02,640 --> 00:12:00,370 it's actually if we've done projects 316 00:12:03,930 --> 00:12:02,650 where and it's not Fibonacci it's just 317 00:12:05,790 --> 00:12:03,940 somebody who actually understood the 318 00:12:09,420 --> 00:12:05,800 formula of what we like right like 319 00:12:11,760 --> 00:12:09,430 what's interesting but you can apply the 320 00:12:13,800 --> 00:12:11,770 same thing to the wall right you know 321 00:12:15,540 --> 00:12:13,810 it's and I've done projects where you've 322 00:12:16,500 --> 00:12:15,550 actually divided up at the wall and 323 00:12:18,600 --> 00:12:16,510 there's there's many different 324 00:12:20,550 --> 00:12:18,610 approaches like you can take a wall for 325 00:12:22,590 --> 00:12:20,560 example and divide it up into thirds and 326 00:12:24,540 --> 00:12:22,600 you can hang the picture on the the low 327 00:12:26,100 --> 00:12:24,550 on the upper third and there's some 328 00:12:27,750 --> 00:12:26,110 things that you just can't figure out 329 00:12:29,040 --> 00:12:27,760 because mathematically you're clicking 330 00:12:31,110 --> 00:12:29,050 something in your brain and you're like 331 00:12:34,829 --> 00:12:31,120 god I don't know what it is just cool 332 00:12:36,210 --> 00:12:34,839 and so yes it does play into it but I 333 00:12:38,610 --> 00:12:36,220 think more importantly the gut and I 334 00:12:40,260 --> 00:12:38,620 think what's fascinating is you have I 335 00:12:42,210 --> 00:12:40,270 think like you know and the Egyptians 336 00:12:43,500 --> 00:12:42,220 they've made a lot of blocks right you 337 00:12:46,170 --> 00:12:43,510 know and so much like now that doesn't 338 00:12:48,060 --> 00:12:46,180 feel right no make it a little smaller a 339 00:12:49,650 --> 00:12:48,070 little bigger and so those are the 340 00:12:52,980 --> 00:12:49,660 things that we're actually attracted to 341 00:12:56,700 --> 00:12:52,990 in life so in going back to the pyramids 342 00:12:58,710 --> 00:12:56,710 were all blocks of these same ratio they 343 00:13:00,090 --> 00:12:58,720 were most of the pyramids were created 344 00:13:01,680 --> 00:13:00,100 with that same ratio I think the Mayans 345 00:13:03,150 --> 00:13:01,690 did a little different but you know they 346 00:13:07,140 --> 00:13:03,160 also had other formulas that they were 347 00:13:09,120 --> 00:13:07,150 putting in there but you have that that 348 00:13:11,340 --> 00:13:09,130 that ratio actually falls over the Mona 349 00:13:13,440 --> 00:13:11,350 Lisa you know it falls over Bill 350 00:13:15,780 --> 00:13:13,450 Clinton's face perfectly you know like 351 00:13:17,820 --> 00:13:15,790 16 times over the body in the face it 352 00:13:18,750 --> 00:13:17,830 falls no Clinton has the perfect face he 353 00:13:21,270 --> 00:13:18,760 does he does 354 00:13:22,740 --> 00:13:21,280 even the nose yeah yeah yeah well it's 355 00:13:24,960 --> 00:13:22,750 not the nose it's the connection so you 356 00:13:26,730 --> 00:13:24,970 could actually take that ratio and you 357 00:13:28,110 --> 00:13:26,740 can if you continue to take the ratio 358 00:13:30,220 --> 00:13:28,120 that you know with that number and 359 00:13:31,570 --> 00:13:30,230 expand it it fits over the eyes 360 00:13:33,670 --> 00:13:31,580 fits over the head and fits over the 361 00:13:36,520 --> 00:13:33,680 thorax you can stretch your arms out and 362 00:13:38,050 --> 00:13:36,530 it fits that way Tom Cruise has it as 363 00:13:40,210 --> 00:13:38,060 well what about Donald Trump Donald 364 00:13:41,710 --> 00:13:40,220 Trump no no no it didn't really work 365 00:13:43,690 --> 00:13:41,720 hence the reason why people are having 366 00:13:44,980 --> 00:13:43,700 such problems with Donald absolutely if 367 00:13:46,400 --> 00:13:44,990 they had have known about this haven't